He presents a perception of an individual directly to that individual and then invites a response - be it a confirmation, defense, or rebuttal. Maron, on the other hand, is more reactionary, often operating from assumptions. There is no evidence he clocks as much research time as other radio interviewers more easily labeled journalists, such as WHYY’s Terry Gross, whose days (and often nights) are packed with research - dog-earing pages, taking notes, exploring past projects, drawing connections, writing questions - and whose producers help her prep for Fresh Air interviews so they might be both comprehensive and nuanced. To have an especially engaged conversation, he educates himself on his guest so he can “at least know a little bit about and be familiar with it,” he told Leadingham, but he develops no list of questions. “I’m even wary to call myself an interviewer,” he told Scott Leadingham of The Quill, the magazine produced by The Society of Professional Journalists. Perhaps Maron can be an interviewer without being a journalist. He sometimes clicks “record” before the guest knows the interview has started, he interrupts and shares his own stories and shortcomings, and he loosely guides conversations more than he crafts careful interviews. Once an interview begins, Maron brings up topics he wants to discuss but largely lets the hour flow where it will. Yet discussions about just that have followed him for years, with a number of journalists eager to hear his advice on a critical skill in the professional repertoire - the interview.īut Maron’s interviews, effective as they may be, are unusual creations that say as much about him as they do his guests, and this is ultimately what precludes him from being called a journalist. Maron, a standup comic by trade, makes no attempt to call himself a journalist. (RIVERSIDE, Calif.)-For more than 1,100 episodes, Marc Maron’s WTF podcast has turned out intimate, illuminating conversations with artists, entertainers, and public figures.
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